The Day of Resurrection! – Text: John of Damascus (696? – 754?) / Music: Melody Gesangbuch, Württemburg, 1784.

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This Sunday’s entrance hymn in church, The Day of Resurrection, is attributed to John of Damascus, who lived in the 8th century. The three stanzas constitute the first of eight odes that make up a festival canon, that is, a series of odes threaded upon an acrostic. John’s father, a Christian, was an important official at the court of the Muslim caliph in Damascus. After his father’s death, John assumed that position and lived in wealth and honour. At about the age of forty, however, he became dissatisfied with his life, gave away his possessions, freed his slaves, and entered the monastery of St Sabas in the desert near Jerusalem. One of the last of the Greek fathers, John became a great theologian in the Eastern church.

This hymn is typically sung to the tune Ellacombe, which has been traced to Gesangbuch der Herzogl. Wirtembergischen katholischen Hofkapelle 1784, containing 55 texts and an appendix with fourteen tunes. In 1844 the tune appeared in Kirchenchoral- und Melodien-Buch, Cologne, in a form very much similar to what we sing today. From there, it made its way to the 1868 Appendix to Hymns Ancient & Modern, where it was named for a village in Devonshire, England.

The day of resurrection!
Earth, tell it out abroad;
the passover of gladness,
the passover of God!
From death to life eternal,
from earth unto the sky,
our Christ hath brought us over,
with hymns of victory.

Our hearts be pure from evil,
that we may see aright
the Lord in rays eternal
of resurrection light;
and, listening to his accents,
may hear so calm and plain
his own “All hail!” and, hearing,
may raise the victor strain.

Now let the heavens be joyful,
let earth her song begin,
the round world keep high triumph,
and all that is therein.
Let all things seen and unseen
their notes in gladness blend,
for Christ the Lord is risen,
our joy that hath no end.

Gerald Harder

O Lord, our Governor – Healey Willan (1880-1968)

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O Lord, our governor, how excellent is thy name in all the world!
Behold, O God our defender: and look upon the face of thine anointed.
O hold thou up his goings in thy paths: that his footsteps slip not.
Grant the king a long life: and make him glad with the joy of thy countenance.
Save, Lord, and hear us, O King of heaven: when we call upon thee. Amen.

 Behold, O God our Defender – Herbert Howells (1892-1983)

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Behold, O God our defender, and look upon the face of thine anointed.
For one day in thy courts is better than a thousand.

 

These two works, sung by the choir this Sunday in church, were composed for the coronation of Queen Elizabeth II in 1953: O Lord, our Governor (Healey Willan) and Behold, O God our Defender (Herbert Howells). Healey Willan, CC was an English organist and composer. He composed more than 800 works including operas, symphonies, chamber music, a concerto, and pieces for band, orchestra, organ, and piano. He is best known for his religious music. He emigrated to Canada in 1913 to become the head of the theory department at what is now the Royal Conservatory of Music in Toronto. In addition, he took the post of organist and choirmaster at St Paul’s Church, and subsequently, at the Anglo-Catholic parish of St Mary Magdalene. Based on texts from a number of Psalms, O Lord, Our Governor, one of the homage anthems for Queen Elizabeth’s coronation, remains one of his most frequently performed pieces.

In November 1952, English composer Herbert Howells was invited to compose a short introit for the 1953 coronation. The text was to be verses from Psalm 84. He completed this quiet, reflective prelude to a great state occasion at the end of that year, on Christmas Day. For the coronation itself the combined choirs were large and Howells provided a fully orchestrated score, but this sensitive anthem is more usually heard, as it is this Sunday, with smaller forces and organ accompaniment.

Gerald Harder