Music for Harvest Thanksgiving

Since my youth, Harvest Thanksgiving service has been one of my favourites of the year to accompany. Besides comprising some of my favourite hymns of the liturgical year, I connect with music that entreats an outpouring of gratitude for what we have been given – often, looking forward to a warm visit and tasty food with family and friends in the hours or days that follow.

Celebrations of thanksgiving often contain settings of Nun danket alle Gott or “Now Thank we All Our God” written by Martin Rinkart in Eilenburg, a city besieged and sequestered during the Thirty Years’ War. During this time, Rinkart and his coalition of Lutheran pastors served a community that suffered mass casualties at the hands of war, famine, and plague; yet this hymn’s outpouring of joyous praise mentions no strife or hardship, only that which has been given. The original publication denotes this hymna as a Tisch-Gebetlein, or little grace said before meals. In 1647, Johann Crüger composed the melody with which the text has since been associated.

Today’s setting is a Missa brevis by American composer Kevin Allen, written in rough imitation of renaissance polyphonic Masses. He directs the music sung by the Schola Laudis at the Benedictine Monastery of the Holy Cross, where he notes that the majority of the Mass is sung rather than read. One senses in Missa Rex Genitor a deep understanding of the texts and their profession of faith, sung by the lower voices of the High Mass Choir in three parts.

– Abraham Ross

Solemn Mass takes place at St. James’ Anglican Church, Vancouver at 10:30 am every Sunday.

 

Music for Dedication of St. James’

Parry’s beloved anthem I was glad most likely calls to mind the British coronations, dating back to that of King Edward VII in 1902, for which occasion the piece was commissioned. In addition to being sung at every such ceremony since 1626, this translation of Psalm 122 also bears a strong presence in calls to prayer within Judaism, Catholicism, and Anglicanism (recited at the morning office on Day 27), evoking an image of a joyful faithful entering a place of worship to join together their praises.

The imagery of entering “the house of the Lord” cannot be confined to a definition of one singular place of worship, but rather refers to a “heavenly Jerusalem.” Irish priest and commentator Patrick Comerford notes of the psalm’s author:

“He has a vision not of Jerusalem as it was at the time, but of the heavenly city where God dwells and where all people dwell in unity.

His response to this vision is to pray for the peace of the heavenly city and for all who live within its walls, for his family, and for the house of God.”

On this feast of the Dedication of St. James’, Parry’s setting certainly calls to mind all the sacred moments we have gathered in this building; yet it also reminds us of a unity that extends beyond our walls, diocese, and denomination, joining believers in the vision of a new heaven, a heaven towards which many have looked since antiquity.

In the closing organ voluntary, we hear another depiction of this “Eternal Church,” written by Olivier Messiaen in his early life. Inspired by a trip to Mont-St-Michel in Normandy, the setting evokes the stark vision of a towering spire rising up out of the surrounding waves, the structure residing on the highest point of a small island just off the coast. Its structure, gradual but unyielding swells to an almost overwhelming height above us before receding just as gradually into the mist.

–  Abraham Ross

Solemn Mass takes place at St. James’ Anglican Church, Vancouver at 10:30 am every Sunday.