Behold, the tabernacle of God – William H. Harris (1883-1973)

 

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This Sunday’s communion motet in church, Behold the tabernacle of God, was written in 1954 by William H. Harris (1883-1973) for the opening of the new headquarters of the Royal School of Church Music at Addington Palace. It was also sung at the closing of that same building in 1994 as the RSCM moved on to new facilities. The text is from the Sarum Rite, an antiphon for the dedication of a church. Coincidentally, in the recording linked above, it is the choir of Salisbury Cathedral singing this work; it was here that the Latin liturgical rite also known as the Use of Sarum or Use of Salisbury developed late in the 11th century. Harris’ setting, which is fairly straightforward, although including some unusual harmonies and tonal shifts in the middle, is a beautiful representative example of mid-twentieth-century British anthem writing.

In the realm of Anglican church music, Harris wrote a number of popular, well-crafted works, including his Communion service in F, also sung by our choir this Sunday. Along with important work as a teacher and administrator at the RSCM and the Royal College of Organists, respectively, William Harris was organist-choirmaster at St George’s Chapel, Windsor Castle (1933-1961), where he was involved in the musical education of the teenage Princesses Elizabeth and Margaret Rose, who spent the wartime period at Windsor. He was knighted in 1954. Harris’ anthem Bring us, O Lord God, a setting of a poem by John Donne first heard in Windsor in 1959, was sung at the Committal Service of Queen Elizabeth II at St George’s Chapel on September 19, 2022.

Behold, the tabernacle of God is with men,

and the Spirit of God dwelleth within you:

for the temple of God is holy,

which temple you are:

for the love of whom you do this day celebrate

the joys of the temple with a season of festivity.

Alleluia.

Gerald Harder

Panis angelicus – Alexander L’Estrange (b. 1974)

 

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Panis angelicus is the second-to-last section of the hymn Sacris solemniis, which was written by Saint Thomas Aquinas in the 13th century. “Panis angelicus” is Latin for “Bread of Angels” or “Angelic Bread.” The hymn was originally written for the Feast of Corpus Christi, and has been set by many composers, including Marc-Antoine Charpentier, Cesar Franck, Palestrina, and Camille Saint-Saëns.

This Sunday’s communion motet in church is a setting for accompanied upper voices of this ancient hymn by the contemporary British composer Alexander L’Estrange. The well-known text is set to an exquisite, soaring melody, showcasing L’Estrange’s gift for jazz-inflused harmonies and beautiful, yet accessible melodic lines.

The bread of the angels
becomes the bread of mortals;
the bread of heaven
puts an end to prefigurations.
O wondrous thing!
the poor, the slave and the humble
feed on their Lord.

Of you, threefold and
one God, we ask:
Come to visit us
as we worship you;
lead us on your paths
to where we want to go:
to the light in which you dwell.

Gerald Harder