Music for Third Sunday of Advent

 

In a world full of Christmas songs and commercial excitement, our church remains in a time of waiting. Our Advent hymns focus on the coming of Christ, on the prophecies that fuel our expectation, and on the announcement of John the Baptist.

The composer of our Communion setting was Dr George Oldroyd. He was organist of St. Alban’s Church, Holborn, and then of St. Michael’s Church, Croydon until his death in 1951. His beautiful “Mass of the Quiet Hour” was not published until 1969.

At communion, the choir sings the traditional O Antiphons in a setting by Canadian composer Healey Willan. These are antiphons to be used at Vespers during the Magnificat during the last week of Advent; they are best known in their form as the hymn “O Come, O Come, Emmanuel”, which we sang on Advent 1. They derive their title from the vocative address to Christ in one of his attributes.

  • O Sapientia (O Wisdom)
  • O Adonai (O Lord)
  • O Radix Jesse (O Root of Jesse)
  • O Clavis David (O Key of David)
  • O Oriens (O Dawn of the East)
  • O Rex Gentium (O King of the Nations)
  • O Emmanuel (O God With Us)

This morning we will alternate the Willan settings with traditional plainsong.  A slightly different plainsong and translation can be found in the New English Hymnal at #503

Brigid Coult

Solemn Mass takes place at St. James’ Anglican Church, Vancouver at 10:30 am every Sunday.

Music for Second Sunday of Advent

 

The mass setting we share today is by Eleanor Daley, an acclaimed Canadian composer of choral and church music. I have to confess that I had not encountered this setting before, and only know one other Daley Missa Brevis (No.4); finding this makes me wonder what happened to all the others before she got to No. 8! In this service it is paired with the classic Palestrina anthem introducing St John the Baptist, “Fuit homo”.

Two of the hymns pick up where we left off last week with Bach chorales: the offertory hymn is actually by German hymn-writer Philipp Nicolai (1566-1608); it was adapted and harmonized by J.S. Bach for his Cantata 140, and first performed at the end of November in 1731. The communion hymn returns to last week’s chorale of Nun komm, der Heiden Heiland, with words by the gifted hymn-writer Anna Briggs, four of whose texts made their way into Common Praise.

Brigid Coult

 

Solemn Mass takes place at St. James’ Anglican Church, Vancouver at 10:30 am every Sunday.